This collection of three plays for young performers from multi-award-winning playwright Rory Mullarkey offers astutely relevant and powerfully theatrical pieces of drama. Each offering large and flexible casts for non-gender specific performers, they are perfect for performances and study by young performers aged 13-23. Presented in the style of eloquent contemporary verse, Flood explores the consequences of global warming and salvaging hope in the midst of despair. The play was originally commissioned by National Youth Theatre and was performed at Hong Kong Youth Arts Foundation in 2018. The Grandfathers explores the personal experience of warfare and what it takes to train to fight for your country. The play was first performed as part of National Theatre Connections, 2012, before being revived at Bristol Old Vic and the National Theatre's Shed. Through a collection of vignettes, On The Threshing Floor captures the speed, strangeness and confusion of living through pivotal moments of history. The play premiered at Hampstead Theatre and uses a large ensemble cast exploring themes of work, government and society. Popular with drama schools, youth groups and young people, this collection provides an excellent resource for those looking for large-scale and flexible plays to produce, perform and study.

A village. A dragon. A damsel in distress. Into the story walks George: wandering knight, freedom fighter, enemy of tyrants the world over. One epic battle later and a nation is born. As the village grows into a town, and the town into a city, the myth of Saint George which once brought a people together, threatens to divide them.

We don't actually drink coffee at my coffee morning. - What do you do, then? - We discuss the violent overthrow of the government. Also, there's flower arranging. In this intensely imaginative and daringly brave-thinking play, award-winning playwright Rory Mullarkey imagines a wild road trip across Middle England. Together, Lady Catherine and her young protege Leo enlist every tearoom, hot yoga class and Women's Institute group on a mission to change the country forever. This play was the 2014 Pinter Commission and the winner of the George Devine Award. It received its world premiere production at the Royal Court Theatre Upstairs on 10 September 2014, starring Anna Chancellor as Lady Catherine and directed by James Macdonald.

Two bombs in one day is a foul coincidence Don't forget the lightning strike A normal day. A person stands in the market square watching the world go by. What happens next verges on the ridiculous. There's ice cream. Sunshine. Shops. Some dogs. A wedding. Bombs. Candles. Blood. Lightning. Sandwiches. Snipers. Looting. Gunshots. Babies. Actors. Azaleas. Famine. Fountains. Statues. Atrocities. And tanks. (Probably). Rory Mullarkey's new play asks whether things really are getting worse. And if we care.

A remarkable writer - an original fresh voice, with a sharp political edge (Vicky Featherstone, Artistic Director the Royal Court Theatre). British writer Rory Mullarkey is the winner of the Harold Pinter Commission, the James Tait Black Prize for Drama and the George Devine Award for most promising playwright. His original work has been staged at the Royal Court Theatre, the National Theatre, Manchester Royal Exchange and Shakespeare's Globe Theatre. His first play collection brings together three previously published plays with two unpublished works. A writer of "considerable talent" (Telegraph), this is a powerful and diverse collection from an established contemporary voice. Single Sex: "a truly disturbing and twisted tale of obsession" (Culture Bean) Tourism: A compelling and humorous take on modern cultural identities. Cannibals: "Brilliantly exciting drama" (Independent) Wolf From the Door: "Fervent and bracingly original...laced with exuberant absurdity and moments of twisted humour..." (Evening Standard) Each Slow Dusk: 'A great war play, original and richly reflective in form . . . [It] encapsulates the British soldier's experience in under an hour . . . Remarkable.' ReviewsGate

A civilised and complacent culture is on the brink of collapse... The tide of change is coming. Madam Ranyevskaya's liberal world of privilege and pleasure is beginning to show cracks, but she and her family live on in denial. Lopakhin wants to rescue Ranyevskaya. The hard-working son of one of her family's serfs, his new-found wealth can offer shelter and security to the woman he has loved since boyhood, but it will come at a high price. Meanwhile, revolution hangs in the air, the poor and hungry are pushing at the doors, and the tutor Trofimov predicts a tumultuous change for everybody. Chekhov's final masterpiece is full of wild humour and piercing sadness in this fresh, funny and honest new translation by award-winning playwright and Russian speaker Rory Mullarkey. A portrait of changing times, it maps the building tensions between the desperate longing to hold onto what is familiar and the restless lure of the new.

He who learns must suffer. Before setting out for the Trojan War, King Agamemnon sacrificed his daughter Iphigenia. Many years later, when Agamemnon returns to his palace, his adulterous Queen Clytemnestra takes her revenge by brutally murdering him and installing her lover on the throne. How will the gods judge Orestes, their estranged son, who must avenge his father's death by murdering his mother? The curse of the House of Atreus, passing from generation to generation, is one of the great myths of Western literature. In the hands of Aeschylus, the story enacts the final victory of reason and justice over superstition and barbarity. The original trilogy, comprising Agamemnon, The Libation Bearers and Eumenides, is distilled into one thrilling three-act play in this magnificent new translation by award-winning playwright Rory Mullarkey.

The Private misses the farm. The Captain dreams of painting. The Corporal relishes the fight. And a hundred years later, The Woman seeks to understand. 1916 - In the darkness of the French night, three young soldiers, a private, a corporal and a captain, cross no man's land towards the enemy trench. Stealth is key to their survival and so they walk in silence, with nothing to communicate the thoughts in their heads save for the barest of gestures. 2014 - A woman goes on a day trip to visit the touristic monuments commemorating the Battle of the Somme at Vimy Ridge and the Loghnagar Crater - the site of a mine explosion that killed over 6,000 people - where she encounters remembrance, restaurants and bright, themed gift shops. Each Slow Dusk is a startling play about action, humanity, and the legacy of war. Immersing you in the reality of conflict through vivid, thrilling detail, it gives you a fresh way of thinking about war - from the past soldiers' perspective to the woman's present-day experience. Each Slow Dusk was published to coincide with the first production and national tour of the play by Pentabus Rural Theatre Company, in autumn, 2014.

On a farm, in a village, on the fringe of Europe, life is simple but hard. When the sweeping forces of war and progress pass through, Lizaveta must run for her life. Finding shelter on an old woman's farm, she tries to piece her life back together. But her past catches up with her and she must keep moving. Her journey through a land of mud and blood, icon painters and holy fools, takes her across continents to the other side of the world. Through Lizaveta's eyes familiar places and notions of love, family and identity become distant and strange. Cannibals is a bold and unique play by Manchester playwright, Rory Mullarkey. It is his first full-length play, written while he was Pearson Playwright in Residence at the Royal Exchange in 2011.

Can you be a hero if you fought for Nazi Germany? The Latvians who fought for the Third Reich and halted the Red Army parade as heroes every year through the streets of Riga. As a growing number of young Russians campaign to halt the 'fascist' march, their Latvian counterparts join the veterans in commemoration. When teenager Anya becomes a political activist, her father's attempts to calm the situation stir up a storm of extremist patriotism. Remembrance Day takes an look at the fight for the political soul of Latvia.

This brilliant new collection of ten plays for young people will prove indispensable to schools, colleges and youth theatre groups. Specially commissioned by the National Theatre for the Connections Festival 2012 involving 200 schools and youth theatre groups across the UK and Ireland, each play is accompanied by production notes and exercises. Power struggles, rites of passage, love and forbidden relationships are some of the rich themes that run through the 2012 cycle of plays. Some are deeply funny, some are provocative and some reflective; and one has really catchy songs! For the 2012 Festival, the anthology has an international feel and offers a window on the world. It includes from Australia a play based on a nineteenth century court case in which a teenage girl was falsely convicted; from Brazil a drama about young lovers doomed to tragedy; set in Russia, a play exploring differing attitudes to National Service and the collapse of the Soviet Union in 1991; a drama about students' rights to an education and the Cultural Revolution of 1966 in China; and a comedy involving a group of Irish country girls travelling to London to audition for the X-Factor.